Ami Xherro https://amixherro.com Ami Xherro Mon, 26 Jun 2023 20:26:52 +0000 https://amixherro.com en Performance https://amixherro.com/Performance Mon, 26 Jun 2023 20:26:52 +0000 Ami Xherro https://amixherro.com/Performance Selected Performances Bed Jam / Western Front (Vancouver) Performance / Montez Press Radio, Jeanne sonic book launch Performance/ Meet the Presses, Toronto, Nov 17 Performance + Workshop/ASAP 2025, The Park Armoury, NYC, Oct 19Reading/ Tomorrow is a Holiday, Danu Toronto, Sept 29 Performance/Sirent Recordings Presents Four Generations of Sonic Poetry w/TETC, Paul Dutton, Gary Barwin, Tranzac, Toronto, Aug 28 Reading/Mbrëmje Poetike, Tirana, Albania, Agimi Art Centre, June 16&nbsp;Reading/Paris Lit Up Featured Poet, Culture Rapide, Paris, May 2024 Reading/To One To Multiple Book Launch, Pamenar Press, Ryan’s N16, London, UK, April 2024 Reading/Some Softer Mood&nbsp;w/Khashayar Mohammadi, Bar Orwell, Toronto, April 2024Performance/Legs II, OCAD University, Toronto, Dec 2023 Reading/Guernica Fall Launch, Supermarket, Toronto, Oct 2023 Reading/Probably Poetry,&nbsp;Tranzac, Oct 2023 Reading/Drank, Recruited launch, Typist Studios, Toronto, Oct 2023 Talk/Can the world even be known as itself or will I have to die in it first?, Trent University, Canada, Oct 2023 Reading/Bright Lights, Big Lit, Hirut Cafe, Toronto,&nbsp;Sept 2023 Reading/Echolocation Magazine launch, Sellers &amp; Newell, Toronto, Sept 2023 Performance/To paint the green walls of the aquarium, Art Now Quinte, Sept 2023 Performance/The Riddle of the Sphynx w/TETC, Chopped Liver #5, Bar Orwell, Toronto, July 2023 Performance/The Great Algorythm: From Chorus to Carnival w/ TETC, Ukai Carnival of Algorithmic Culture, Bodyshop Studios, Toronto, 2023 Performance/Performing Radical Dependency, Pumice Raft, Toronto, 2023 Performance/HOT TUB Album Launch w/TETC, Tranzac, Toronto, 2023 Talk/To begin to begin, Colloque annuel de la revue Post-Scriptum, Université de Montreal, 2023 Performance/Narrator, George Sand, Alliance Francaise, Toronto, 2023 Performance/All night, all night and what is it on a postcard,&nbsp; You Have My Word: 3 nights on liminal languages, Poetry Project, New York City, Sept 2022 Screening/The bed withheld the refreshment of a sleep slept on it, Screen Cultures &amp; Curatorial Studies Graduate Conference ‘Confronting Chaos’, Queen’s University, Canada, Aug 2022 Performance/Sounding Ecologies (w/Toronto Experimental Translation Collective), Bangor University, Wales, June 2022 Exhibition/La Isla de la Fantasia, Saulter Street Stairwell Gallery, Ralph Thornton Community Centre, 2019 Performance/Peter’s Proscenium: A Performance Picnic, Koffler Centre of the Arts, Toronto, Aug 2019 Performance/Private Delusions, Unit 123, Tip Top Lofts, Toronto, April 2019 Something Borrowed, Something New: Gifts by Artists, Art Metropole, Toronto, 2019 Screening/Ishtar’s Descent, Hart House Film Festival, University of Toronto, 2015 Talk/Humanities Pedagogy Confronting Colonization Conference, University of Toronto, Canada, 2018 <img width="1733" height="2600" width_o="1733" height_o="2600" data-src="https://freight.cargo.site/t/original/i/2d2ed1d220a021da85cc3b8a17851def9690bdc84c5f4422c3664eb696da0b36/Performing-Radical-Dependency-38.jpg" data-mid="183739374" border="0" data-marker-id="3" src="https://freight.cargo.site/w/1000/i/2d2ed1d220a021da85cc3b8a17851def9690bdc84c5f4422c3664eb696da0b36/Performing-Radical-Dependency-38.jpg" /> <img width="1118" height="745" width_o="1118" height_o="745" data-src="https://freight.cargo.site/t/original/i/56b90aa706a97842c363c1a8a136291899ad6a430379c473d23ab325d07d5ea0/IMG_7231.jpg" data-mid="201390247" border="0" src="https://freight.cargo.site/w/1000/i/56b90aa706a97842c363c1a8a136291899ad6a430379c473d23ab325d07d5ea0/IMG_7231.jpg" /><img width="1125" height="747" width_o="1125" height_o="747" data-src="https://freight.cargo.site/t/original/i/80a809ffbbaf28c8b9646c0c36bfa12a2d8f207e2297fe96788e1df8686ba8ae/IMG_7232.jpg" data-mid="201390246" border="0" src="https://freight.cargo.site/w/1000/i/80a809ffbbaf28c8b9646c0c36bfa12a2d8f207e2297fe96788e1df8686ba8ae/IMG_7232.jpg" /> <img width="6192" height="4128" width_o="6192" height_o="4128" data-src="https://freight.cargo.site/t/original/i/127e7401a9644ad9c46944f6a61088418fa2131d4707147a7ee2ad3196f78d31/0833-LEGS-Toronto-20231216-Henry-Chan.jpg" data-mid="201389692" border="0" data-marker-id="2" src="https://freight.cargo.site/w/1000/i/127e7401a9644ad9c46944f6a61088418fa2131d4707147a7ee2ad3196f78d31/0833-LEGS-Toronto-20231216-Henry-Chan.jpg" /> About https://amixherro.com/About Mon, 26 Jun 2023 20:13:31 +0000 Ami Xherro https://amixherro.com/About &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <img width="5307" height="3538" width_o="5307" height_o="3538" data-src="https://freight.cargo.site/t/original/i/c8c3dbf355da9b1c4ffe8d913ecdd6204e84d642dafceb339e3e5a46eb67cdc5/0842-LEGS-Toronto-20231216-Henry-Chan.jpg" data-mid="201400327" border="0" src="https://freight.cargo.site/w/1000/i/c8c3dbf355da9b1c4ffe8d913ecdd6204e84d642dafceb339e3e5a46eb67cdc5/0842-LEGS-Toronto-20231216-Henry-Chan.jpg" /> <img width="2979" height="4468" width_o="2979" height_o="4468" data-src="https://freight.cargo.site/t/original/i/6d2d9209c58f272be0d662a86883afeb069135bc167a0db01ca461b137001276/IMG_9889.jpeg" data-mid="183363130" border="0" data-scale="100" alt="Photo: Naomi Dodds" data-caption="Photo: Naomi Dodds" src="https://freight.cargo.site/w/1000/i/6d2d9209c58f272be0d662a86883afeb069135bc167a0db01ca461b137001276/IMG_9889.jpeg" /><img width="5400" height="3600" width_o="5400" height_o="3600" data-src="https://freight.cargo.site/t/original/i/cb823d8198a58e093b7067291b3f125e55a3e43c86cc9137dd6a36079ff45697/0843-LEGS-Toronto-20231216-Henry-Chan.jpg" data-mid="201400329" border="0" src="https://freight.cargo.site/w/1000/i/cb823d8198a58e093b7067291b3f125e55a3e43c86cc9137dd6a36079ff45697/0843-LEGS-Toronto-20231216-Henry-Chan.jpg" /> I work across poetry, performance, sound, and video to examine how the self is transcribed and shared. My work explores methods and resources of personal archiving in multiple languages and non-languages (Albanian, French, English), surfaces (paper, screen, text), and forms (poetry, sound, video) to explore the limits of legibility and self. I wrote the poetry collection Drank, Recruited (Guernica Editions, 2023), which won the 2024 Nelson Ball Prize and was longlisted for the League of Canadian Poets’ Pat Lowther Award. You can order it here. With my friend Benjamin de Boer, I wrote the chapbook No need to know / Infinite Belowness (Solipcyst, 2025), which traces a longtime collaboration, parts of which are also available here. We both like Friederike Mayröcker and transcribing in public spaces. My second book, BED YEAR, is forthcoming in 2027.&nbsp; BED YEAR is a multi-surface project about lying down and splaying out. It dwells in the pleasures of suspension, taking up those infoldings in the flesh where I stretches out languorously.&nbsp; To write it, I lay down in many places including Western Front in Vancouver, where I was artist in residence in May 2027, and held a durational bed jam, documentation of which you can see here.&nbsp; Using altered writing states to collapse the encyclopedic form with the diary entry,&nbsp;BED YEAR demands overtime for the unemployed dreamer. It is inspired by Sarah Dowling’s book Here Is a Figure: Grounding Literary Form (2024), which I also reviewed in the Journal of Modern Literature.&nbsp; With Benjamin de Boer, Nicholas Hauck, Fan Wu, Eddy Wang, and Yoyo Comay, I am a co-founder and performer with the Toronto Experimental Translation Collective (2020 - ), who attempt to push the practices of translation beyond the tongue and further into the body.&nbsp; We use methods of homophonics, transcription, field recording, algorithmic distortion, and cross-disciplinary hybridity to create spaces for heterotopic pedagogy.&nbsp; Via collaborative seminars, workshops, and performances, we develop strategies for withdrawal and resistance from the instrumentalization of language systems. We’ve translated Paul Celan’s Musselheap and composed a fungi opera. These and many other sonic translations are on our vinyl sonic album called HOT TUB. We talk about learning here with Timmy Simonds. You can see/hear more here.&nbsp; I am on the editorial collective of Barricade: A Journal of Antifascism &amp; Translation who bring important political and poetic texts into the English speaking-world for the first time.&nbsp; I am completing a PhD candidate in Comparative Literature (Research-Creation) at the University of Toronto, where I study experiments in women’s poetic life-writing, and how such a life comes to be. I also teach courses at the university on the antihero.&nbsp; ︎amixherro@gmail.com ︎ amixherro <img width="1080" height="300" width_o="1080" height_o="300" data-src="https://freight.cargo.site/t/original/i/229ddeb8e9c86e02d613ea1bf3115e97714ade5c0dc2e1e85ab3aafe6470521a/OAC_Logo_black.jpg" data-mid="188324455" border="0" data-scale="23" src="https://freight.cargo.site/w/1000/i/229ddeb8e9c86e02d613ea1bf3115e97714ade5c0dc2e1e85ab3aafe6470521a/OAC_Logo_black.jpg" /> CV https://amixherro.com/CV Tue, 09 May 2023 15:38:02 +0000 Ami Xherro https://amixherro.com/CV Click here to download my CV Writing https://amixherro.com/Writing Fri, 10 Feb 2023 22:37:33 +0000 Ami Xherro https://amixherro.com/Writing LONGFORM Bed Year, forthcoming 2027. No need to know / Infinite Belowness, with Benjamin de Boer, Solipcyst, June 2025 [chapbook] &nbsp;&nbsp; Drank, Recruited, Guernica Editions, October 2023 Winner of 2024 Nelson Ball Prize &nbsp;Longlisted for 2024 Pat Lowther Award&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * Conversation with Stuart Ross here &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * Arc poetry interview here&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * Micro review by Anna Foran here The Unfinished Flame of the Lower Oceans, Swimmers Group, 2017 [chapbook] HOT TUB (w/Toronto Experimental Translation Collective), Goethe Institut, 2023 [vinyl album] TEXTS “Notes on the Flamingo Revolution,” The Brooklyn Rail, Fall 2026“The Pleasures of Suspension: A Review of Sarah Dowling’s Here Is a Figure: Grounding Literary Form,” Journal of Modern Literature, Fall 2026To the depths, to the depths for Monica Maria Moraru’s The Foundation Pit, Centre Clark, Montreal, January 2025 Hyphenated: A Collaborative Meditation on Research-Creation, w/ Anna Foran, Imaginations: Journal of Cross-Cultural Image Studies, vol. 15, no. 3, 2024 To begin to begin, Les temps du fragment, Post-scriptum 27, May 2024Now the Voice of the Second,&nbsp; for Sukaina Kubba, Mercer Union, and in Turn Me Into A Flower, 2024 The Drinkable Desire of Louise Labé, FEELD,&nbsp; 2023 On A Table, Over Time, w/ Eddy Wang, C Mag 155, August 2023 Four Exercises in Experimental Translation, Ramparts Forum, Barricade, 2021 The shape of your face, the speed of your speech, Peripheral Review, 2021 POEMS “When should I say I am young?,” Ludd Gang, UK Poet’s Hardship Fund, 2025.“The First Aesthetic Object” &amp; “Paranoid,” EVENT 53/2, October 2024“Some softer mood,” w/ Khashayar Mohammadi, Boyfriend Village, Black Warrior Review, The University of Alabama, Sept 2024 “7 women’s club” &amp; “Self,” Second Factory, ugly duckling presse, August 2024“Let Me in,” The Brooklyn Review, issue 38, July 2024. “Life is For Loving Around in a Rove” (w/Benjamin de Boer &amp; SK Maston), The Capilano Review, iss. 4.3: IT IS WHAT IT IS,&nbsp; Spring 2024Go back and get it, in&nbsp;Toronto Walk Project I, Brock University Centre for Studies in Arts &amp; Culture, 2024 Musselheap, w/TETC, Glyphoria V: Translating Language &amp; Sound,&nbsp;Metatron Press, 2024 Fungi Opera, w/ TETC, Glyphoria II: Poetic Systems, Metatron Press, 2023 ‘Method’ of meditation and ‘You’,&nbsp; dirt children vol. 4, 2023&nbsp; ‘RSVP’ and ‘Stamps no one can rip off my flesh’, Echolocation, 2023 O in a day and Days, Commo, 2023 March 1988 and Nothing goes into the dark trees to vanish, Contemporary Verse 2, Winter 2023 Two Photographs, The Ex-Puritan, 2022 Swimmer, Pinhole Poetry + interview, 2022 Pornographer, Rejected Mag, 2022 Body is a bridge to July, Held Magazine, 2022 The tap, Journal of autotheory, 2022 Lacrosse’d, w/TETC, Brock Project Lacrosse, Small Walker Press and the Salon für Kunstbuch, 2022 Camping, Shrapnel Magazine, 2021 Vowels out, long con magazine, issue 7, 2021 Mistake, w/Faraz Anoushahpour, Autodidact Magazine, issue 2, 2020 Leaving, The Trinity College Review 130, 2018 When Mama Shot the Wild Man in the Kitchen, The Trinity College Review 129, 2017 TRANSLATIONS Highlander’s Song [Migjeni], Barricade: A Journal of Antifascism &amp; Translation, 2024 Tshtntshtn, The Polyglot,&nbsp;issue 12, 2023 Death of Metaphor [Ervin Hatibi], Armstrong Literary, 2023 Closer, Auto, and Poem of Loss [Ervin Hatibi], Pamenar Press Online, 2023Anxious Languages, Research Centre in Interdisciplinary Arts and Creative Culture, Brock University, 2022 ADVICE&nbsp; Hell but fun: A Love, Sex &amp; Relationship Advice Column, 2021 - Projects https://amixherro.com/Projects Fri, 10 Feb 2023 22:09:42 +0000 Ami Xherro https://amixherro.com/Projects Bed Year&nbsp; aphorisms in that fact, 2021 - the bed withheld the refreshment of a sleep slept on it, 2022 where now this ache go (jaw), 2023 hell but fun (an advice column), ongoing Where now this ache go https://amixherro.com/Where-now-this-ache-go Tue, 09 May 2023 15:31:59 +0000 Ami Xherro https://amixherro.com/Where-now-this-ache-go Where now this ache go (jaw) Telepathy is a generous term. It is both a tactic and a strategy. Telepathy is future-oriented: tele- is distant, far off and -pathy&nbsp;is pathos, feeling. Telepathy is a strategy for the debasement of language from understanding, surpassing language as the kernel of meaning. &nbsp; Telepathy is a strategy for lassoing the alternative within the actual. The following “thought readings” or telepathic demonstrations attempt to externalize such a process. This experiment includes 7 people, 1 hanging mic, 1 corded mic, and 2 cameras: one handled by an external agent and a secondary point and shoot camera (which works only when connected to power) to subvert the gaze, and confront the centralization of power from the one who transmits the question. The experiment proceeds in these steps: 1. &nbsp;&nbsp; Invocation (Instruction) 2. &nbsp;&nbsp; Telepathic warm-up – with quince water, wet temples, behind the knees, genitals, other sensitive points in the body to lubricate points of transmission. 3. &nbsp;&nbsp; Practice: ask a question: others answer it. I. Why did I smell the hyacinths? Or, the problem of subjectivity. This was the longest question in that it required three intensive 15-minute periods of transmission. The sender appeared visibly frustrated. At one moment they had their head in their hands, rocking back and forth in a chair. One problem may have been the nature of the question itself: It went from “What did the hyacinths say to the tulips?” to “When did I smell the hyacinths?” to “Why did I…” This meandering that frustrated the transmission channels. The participants were instructed to ask a question about themselves. This was because the question must be grounded in a structure of questioning that is personal and already imbued with one’s possible answers or ambivalence. The aim of answering is merely to choose one of the answers which already accompany the question. The assumption is that each question already carries a subset of answers. The “I” in the question already implies the course through which it will meet its end. The answer then is the end of the question-transmission, not its resolution.&nbsp; It is where the “I” returns to itself. <img width="748" height="565" width_o="748" height_o="565" data-src="https://freight.cargo.site/t/original/i/79ee05335985e1065cb4cf9e923b89b9df74dca61eedfec3397c38e11478f782/first.png" data-mid="178219080" border="0" data-scale="68" src="https://freight.cargo.site/w/748/i/79ee05335985e1065cb4cf9e923b89b9df74dca61eedfec3397c38e11478f782/first.png" /> II. Where now this ache go (jaw)? Here, “I” recognizes a common task. It disperses across the body in the form of an acute pain. Upon receiving the question, each participant feels it somewhere else: Ami in the brain; Anna in the foot; Eddy in the belly; Fan in the heart; Will in the groin; Ben in the jaw. Directed subjectivity in this question morphs into the problem of narrative. How can an ache—felt acutely and uniquely—manifest in each body as a shared understanding? As six distinct histories of acute pain which meet at this moment? This is an emplotment of utopia. Where there is nowhere, let there be time. Where there is time let there be assembly. Assembly in a historical nowhere. Utopia. Anything is historical which asks to be believed. A deep form of empathy: ishin-denshin. This is where telepathy becomes less than distinguishable from non-telepathy. This is where telepathy as a tactic reaches its end, whose distinction from mere sociality (what is less than felt through the senses) becomes irrelevant. III. How do I stop intensity from turning into pain? Or, the problem of utopia. Out of all the answers elicited by this question, the most poignant may be the following image drawn on the backside of one of the scraps of paper: <img width="757" height="528" width_o="757" height_o="528" data-src="https://freight.cargo.site/t/original/i/c93eb119c45c80d7183053d278050c973224ce2a5b10af33ed51287310bb6d18/third-last.png" data-mid="178219087" border="0" data-scale="62" src="https://freight.cargo.site/w/757/i/c93eb119c45c80d7183053d278050c973224ce2a5b10af33ed51287310bb6d18/third-last.png" /> Back to inevitability. Can capitalism as an ideology thrive under any circumstance, morphing itself into a parasite which reaps what it needs to grow? (The popular choir sings Capitalism is the virus, etc.). The boon of the experiment is that subjects are not named by name. If anything can take the name of any other thing, then what are the consequences of this? If there are no consequences, can there be gains? Can we win without suffering? Work without pay? Fredric Jameson reminds us, “Utopian form is itself a representational meditation on radical difference, otherness, to the point that one cannot imagine any change in our social existence which has not first thrown off utopian visions. […] The fundamental dynamic of any utopian politics will therefore always lie in the dialectic of Identity and Difference” (Archaeologies, xii). When the proposition of utopia shifts from content to representation is where it becomes unimaginable. But the failure of aesthetic representability (or, of otherness) is not apathy. What if telepathy, instead of being a tool for supra-communication, is the seed of unrepresentability? And in being the vehicle for the uncommunicable, it surpasses any ideology of representation, or representation altogether? In this way, it is enough to telepathize, to lubricate the eroded imagination in the name of collective. IV. How to breathe? Yes, to breathe. Rosi Braidotti says that in the evolution of post-humanist theory, representational issues are left behind, which leaves us looking at the material structure, at the code, of the discourses. The breath is the material of all that lives. And the climax of breath is the kiss. The kiss is an inscription which takes the fatal risk, like the emancipation of meaning from the predicament of everything always referring to a contingent situation. Its consequences carry the past into the future. It is lingering, through its many valences of “I” and the commensal “is”, the vehicle of amorous frenzy. Breath is both bread and butter, both substance and form. The kiss is the articulation of what we want without knowing it. It is an always new form of encountering. And it is here perhaps that we are introduced to the category of punishment. In breath, punishment. In the kiss, sacrifice. Here the experiment is no longer thought of as “the experiment” but as the experience which consumes it. The kiss of life! The kiss as the end of life, or as the end of a world which needs life, or “the end of a ‘world’ in which the current situation makes any sense whatsoever” (Moten and Harney 38). <img width="601" height="495" width_o="601" height_o="495" data-src="https://freight.cargo.site/t/original/i/7dc7d1dfee72f7f2300f02a53f89fd8ada4fdd589c76786253187a7a659ac52d/second-last.png" data-mid="178219085" border="0" src="https://freight.cargo.site/w/601/i/7dc7d1dfee72f7f2300f02a53f89fd8ada4fdd589c76786253187a7a659ac52d/second-last.png" /> V. Is it worthwhile to pursue a secondary dream? Or, Why do we need words when telepathizing? Isn’t this overkill? Or, the problem of representation. Language is the consolation of telepathy. Language is the supplement of telepathy, and its failure. Invitation is already a failure. I say, “Come here, dress comfortably” thusly the meeting. Will’s invitation: “Do you like to do it like that? Let loom the strangeness, no time, no space, just body weave.” VI. What will summer bring? or, the problem of improvisation. We meet at 3. We hug and drink tea. Small talk. We wait for everyone else to arrive. Disavow what we keep inside. The music starts after a delay that only ever feels just the right amount of time afterwards. Dink of ice cubes in a glass. Din of whispering voices bend to silence. Music. This is improv but I telepathized it. It happened and I telepathize. I telepathize so it has not happened. It happened. I write about it. Later I telepathize. Telepathy and improv as rebukes of spectacularization. What is left after exceeding the verbal sign? Sleep, an unending chain of analogies unto the many summers of slumber. For now, a stern prediction— <img width="748" height="565" width_o="748" height_o="565" data-src="https://freight.cargo.site/t/original/i/79ee05335985e1065cb4cf9e923b89b9df74dca61eedfec3397c38e11478f782/first.png" data-mid="178219080" border="0" data-scale="72" src="https://freight.cargo.site/w/748/i/79ee05335985e1065cb4cf9e923b89b9df74dca61eedfec3397c38e11478f782/first.png" /> Immense thanks to the participants of this experiment: Anna Foran, Benjamin de Boer, Eddy Wang, Fan Wu, William Hunt and Faraz Anoushahpour for camera + sound. The bed withheld the refreshment of a sleep slept on it https://amixherro.com/The-bed-withheld-the-refreshment-of-a-sleep-slept-on-it Fri, 24 Feb 2023 17:43:30 +0000 Ami Xherro https://amixherro.com/The-bed-withheld-the-refreshment-of-a-sleep-slept-on-it The bed withheld the refreshment of a sleep slept on it The bed withheld the refreshment of a sleep slept on it is a documentation of a performance which occurred over four days in summer 2021, beginning off the stage as performers are asked to sit in the public areas of a pool and a grocery store and transcribe what they hear in their notebooks. They are then invited to read their transcriptions on a bed, in pairs. The material traces of what has been heard take on another meaning. A chorus is written using the same lines from their transcription. In each scene language is further removed from its origin, and devolves into phonemes–vowels and consonants–and finally into pure sound. <img width="2796" height="1527" width_o="2796" height_o="1527" data-src="https://freight.cargo.site/t/original/i/e63fd245101c2a5e6731c1088ad6f1f8c797cf46820951359bfea057ee2e46b5/Screen-Shot-2023-06-26-at-5.15.13-PM.png" data-mid="183369454" border="0" data-marker-id="10" src="https://freight.cargo.site/w/1000/i/e63fd245101c2a5e6731c1088ad6f1f8c797cf46820951359bfea057ee2e46b5/Screen-Shot-2023-06-26-at-5.15.13-PM.png" /> <img width="2873" height="1568" width_o="2873" height_o="1568" data-src="https://freight.cargo.site/t/original/i/3cb5ad8aff067b1c3873fb53f6c9010b13cb20addf98e13ddd698502882c271e/Screen-Shot-2022-06-25-at-6.43.38-PM.jpeg" data-mid="169579341" border="0" src="https://freight.cargo.site/w/1000/i/3cb5ad8aff067b1c3873fb53f6c9010b13cb20addf98e13ddd698502882c271e/Screen-Shot-2022-06-25-at-6.43.38-PM.jpeg" /> <img width="2872" height="1584" width_o="2872" height_o="1584" data-src="https://freight.cargo.site/t/original/i/085928312a192dc901f5ca4f60b92b9682f73af6909dcd414958d23e3bb82190/Screen-Shot-2022-06-25-at-6.42.27-PM.jpeg" data-mid="169579340" border="0" src="https://freight.cargo.site/w/1000/i/085928312a192dc901f5ca4f60b92b9682f73af6909dcd414958d23e3bb82190/Screen-Shot-2022-06-25-at-6.42.27-PM.jpeg" /> <img width="2872" height="1566" width_o="2872" height_o="1566" data-src="https://freight.cargo.site/t/original/i/9b3e727b1b274fcbe5c61a8745c24efdd580ab48e4d5f8ffea4310dbbdf24c73/Screen-Shot-2023-06-26-at-5.17.10-PM.png" data-mid="183369457" border="0" src="https://freight.cargo.site/w/1000/i/9b3e727b1b274fcbe5c61a8745c24efdd580ab48e4d5f8ffea4310dbbdf24c73/Screen-Shot-2023-06-26-at-5.17.10-PM.png" /> <img width="2780" height="1552" width_o="2780" height_o="1552" data-src="https://freight.cargo.site/t/original/i/040fa435a9c99d0019f7fd825031ed607e681bb1daeef389085c50dd7ea77c7f/Screen-Shot-2023-06-26-at-5.15.01-PM.png" data-mid="183369453" border="0" data-marker-id="6" src="https://freight.cargo.site/w/1000/i/040fa435a9c99d0019f7fd825031ed607e681bb1daeef389085c50dd7ea77c7f/Screen-Shot-2023-06-26-at-5.15.01-PM.png" /> <img width="2784" height="1547" width_o="2784" height_o="1547" data-src="https://freight.cargo.site/t/original/i/1c65ad52199a66ae01999095667120f73e22b0e83080045ef88418b9cb8830f9/Screen-Shot-2023-06-26-at-5.14.22-PM.png" data-mid="183369452" border="0" data-marker-id="2" src="https://freight.cargo.site/w/1000/i/1c65ad52199a66ae01999095667120f73e22b0e83080045ef88418b9cb8830f9/Screen-Shot-2023-06-26-at-5.14.22-PM.png" /> <img width="2873" height="1568" width_o="2873" height_o="1568" data-src="https://freight.cargo.site/t/original/i/3cb5ad8aff067b1c3873fb53f6c9010b13cb20addf98e13ddd698502882c271e/Screen-Shot-2022-06-25-at-6.43.38-PM.jpeg" data-mid="169579341" border="0" data-marker-id="7" src="https://freight.cargo.site/w/1000/i/3cb5ad8aff067b1c3873fb53f6c9010b13cb20addf98e13ddd698502882c271e/Screen-Shot-2022-06-25-at-6.43.38-PM.jpeg" /> <img width="2846" height="1548" width_o="2846" height_o="1548" data-src="https://freight.cargo.site/t/original/i/2ab89bac9a4d79164b5f5a9d25ad1773efc59b96fcadaf1950d73db12bf2b351/Screen-Shot-2023-06-26-at-5.13.39-PM.png" data-mid="183369451" border="0" data-marker-id="3" src="https://freight.cargo.site/w/1000/i/2ab89bac9a4d79164b5f5a9d25ad1773efc59b96fcadaf1950d73db12bf2b351/Screen-Shot-2023-06-26-at-5.13.39-PM.png" /> The bed withheld the refreshment of a sleep slept on it is a record of the degradation of language. Or, what ensues in the shape-taking of a society that is negatively formed through language; where linguistic markers devolve into entropic noise and meanings are alienated from their identities. This process cultivates a reverse alienation wherein noise–that which remains indeterminate from language–forms a society of collective meaning-making, calling attention to the chaos of and in relation. This work is supported by the Ontario Arts Council. Write me for video link: amixherro@gmail.com Aphorisms in that fact https://amixherro.com/Aphorisms-in-that-fact Fri, 24 Feb 2023 21:08:59 +0000 Ami Xherro https://amixherro.com/Aphorisms-in-that-fact Aphorisms in that fact <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/4a59ff49d531c4b29b6c965d58e32fe5e5385ea02dceb6d607f20538dbb765ef/a-great-sadness-from-a-small-plight.jpg" data-mid="169597417" border="0" src="https://freight.cargo.site/w/1000/i/4a59ff49d531c4b29b6c965d58e32fe5e5385ea02dceb6d607f20538dbb765ef/a-great-sadness-from-a-small-plight.jpg" /> <img width="3229" height="2479" width_o="3229" height_o="2479" data-src="https://freight.cargo.site/t/original/i/f6c75fbe678bfd842d1d369b98ed21c792d3c8635268d97d40f3d5f98726e48e/exist-did-not.jpg" data-mid="169597425" border="0" src="https://freight.cargo.site/w/1000/i/f6c75fbe678bfd842d1d369b98ed21c792d3c8635268d97d40f3d5f98726e48e/exist-did-not.jpg" /> <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/ec4bc8cadeb6c81e0c0e357a5bb2d9200afceb29210c0e8074bb014f1b5fbeb4/expectations-are-structures-of-defence.jpg" data-mid="169597427" border="0" src="https://freight.cargo.site/w/1000/i/ec4bc8cadeb6c81e0c0e357a5bb2d9200afceb29210c0e8074bb014f1b5fbeb4/expectations-are-structures-of-defence.jpg" /> <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/5112eae51633f55ac1235db8428bba6d21f697f700a735083a3be0c99f087bb5/everything-you-once-thought-is-confirmed-by-breathing.jpg" data-mid="169597424" border="0" src="https://freight.cargo.site/w/1000/i/5112eae51633f55ac1235db8428bba6d21f697f700a735083a3be0c99f087bb5/everything-you-once-thought-is-confirmed-by-breathing.jpg" /> <img width="3229" height="2479" width_o="3229" height_o="2479" data-src="https://freight.cargo.site/t/original/i/0cc4eaba41b0ee5d7c3a262ee3b9eb4b468a9daf74da6cbbd1530a70ce0cddb8/do-not-be-tempted-with-love-by-love.jpg" data-mid="169597423" border="0" src="https://freight.cargo.site/w/1000/i/0cc4eaba41b0ee5d7c3a262ee3b9eb4b468a9daf74da6cbbd1530a70ce0cddb8/do-not-be-tempted-with-love-by-love.jpg" /> <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/9e4c288ab97dce9edede24ec6e1bcace43d06fe0788404b3a05a3aca6894885c/despair-and-hopelessness-are-not-natural-constituents-of-the-human-soul.jpg" data-mid="169597422" border="0" src="https://freight.cargo.site/w/1000/i/9e4c288ab97dce9edede24ec6e1bcace43d06fe0788404b3a05a3aca6894885c/despair-and-hopelessness-are-not-natural-constituents-of-the-human-soul.jpg" /> <img width="3229" height="2479" width_o="3229" height_o="2479" data-src="https://freight.cargo.site/t/original/i/3fdb64e5cf2670091a853c45dc4a27e0f1f526395b9f6a4580f64c210c831f66/the-feeling-is-formed-by-the-act-one-performs.jpg" data-mid="169597464" border="0" src="https://freight.cargo.site/w/1000/i/3fdb64e5cf2670091a853c45dc4a27e0f1f526395b9f6a4580f64c210c831f66/the-feeling-is-formed-by-the-act-one-performs.jpg" /> <img width="1971" height="1192" width_o="1971" height_o="1192" data-src="https://freight.cargo.site/t/original/i/abfba198a1fbefb854839d735200afdaa02d29fa82e2c5749813da40f8942da5/the-bitterness-that-hangs-onto-words.jpg" data-mid="169597463" border="0" src="https://freight.cargo.site/w/1000/i/abfba198a1fbefb854839d735200afdaa02d29fa82e2c5749813da40f8942da5/the-bitterness-that-hangs-onto-words.jpg" /> <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/f5ddc361c1fe77c32fd268a2e4da20c0f3aebe628c1df1fedd442b2618b82f94/rudy-does-nothing-for-6-months.jpg" data-mid="169597459" border="0" src="https://freight.cargo.site/w/1000/i/f5ddc361c1fe77c32fd268a2e4da20c0f3aebe628c1df1fedd442b2618b82f94/rudy-does-nothing-for-6-months.jpg" /> <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/2f089a84b98c45e1d7d4423e0d6a629a45894bb667ba6c237e65d26bffba87ea/take-the-property-for-a-walk.jpg" data-mid="169597462" border="0" src="https://freight.cargo.site/w/1000/i/2f089a84b98c45e1d7d4423e0d6a629a45894bb667ba6c237e65d26bffba87ea/take-the-property-for-a-walk.jpg" /> <img width="3229" height="2479" width_o="3229" height_o="2479" data-src="https://freight.cargo.site/t/original/i/30dc94765810c2641e99b5b80a69aed24e7f13f885e52af9c82572c644b489bd/sympathy-is-another-form-of-indifference.jpg" data-mid="169597461" border="0" src="https://freight.cargo.site/w/1000/i/30dc94765810c2641e99b5b80a69aed24e7f13f885e52af9c82572c644b489bd/sympathy-is-another-form-of-indifference.jpg" /> <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/4f96d06ba86b8a87529082073069a6f047de68767b504dc547eb0581ecf67309/selfreflection-is-a-distraction.jpg" data-mid="169597460" border="0" src="https://freight.cargo.site/w/1000/i/4f96d06ba86b8a87529082073069a6f047de68767b504dc547eb0581ecf67309/selfreflection-is-a-distraction.jpg" /> <img width="3055" height="2236" width_o="3055" height_o="2236" data-src="https://freight.cargo.site/t/original/i/3d9b956212f0869a5809b66a66a61d5e2c63f7eb82321c24ed24d4358a698503/your-cock-in-my-pussy-like-a-reliable-employee.jpg" data-mid="169597471" border="0" src="https://freight.cargo.site/w/1000/i/3d9b956212f0869a5809b66a66a61d5e2c63f7eb82321c24ed24d4358a698503/your-cock-in-my-pussy-like-a-reliable-employee.jpg" /> <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/0f231079a589f83588ff7a343958c0bd23711103cc433e4bf3024d1b705f7b13/where-is-jenny-i-write-again-and-again-i-always-eat-a-banana-at-the-supermarket.jpg" data-mid="169597470" border="0" src="https://freight.cargo.site/w/1000/i/0f231079a589f83588ff7a343958c0bd23711103cc433e4bf3024d1b705f7b13/where-is-jenny-i-write-again-and-again-i-always-eat-a-banana-at-the-supermarket.jpg" /> <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/f56590316ef51f7c50fb956eb66210718396a909ba161618a1baaac6738b1873/to-pass-an-apricot-between-cold-hands.jpg" data-mid="169597468" border="0" src="https://freight.cargo.site/w/1000/i/f56590316ef51f7c50fb956eb66210718396a909ba161618a1baaac6738b1873/to-pass-an-apricot-between-cold-hands.jpg" /> <img width="3229" height="2479" width_o="3229" height_o="2479" data-src="https://freight.cargo.site/t/original/i/644d1114e0ffcc9549dff8552a1ff0a4ad743afd6442718937317d57a30b44db/two-kinds-of-disarmament.jpg" data-mid="169597469" border="0" src="https://freight.cargo.site/w/1000/i/644d1114e0ffcc9549dff8552a1ff0a4ad743afd6442718937317d57a30b44db/two-kinds-of-disarmament.jpg" /> <img width="3229" height="2479" width_o="3229" height_o="2479" data-src="https://freight.cargo.site/t/original/i/2505fbca5f84acf9d7cda1db8feb0cfc3d79d0065c5807adf9bb78d9fcc51b07/those-who-are-afraid-of-the-dark-.jpg" data-mid="169597467" border="0" src="https://freight.cargo.site/w/1000/i/2505fbca5f84acf9d7cda1db8feb0cfc3d79d0065c5807adf9bb78d9fcc51b07/those-who-are-afraid-of-the-dark-.jpg" /> <img width="3229" height="2479" width_o="3229" height_o="2479" data-src="https://freight.cargo.site/t/original/i/9e524c471d95d3d1a4d59c1e8724432f2052593cb3f30c44229b4c04223a8796/there-used-to-be-a-notice-up-in-the-streets-of-florence.jpg" data-mid="169597466" border="0" src="https://freight.cargo.site/w/1000/i/9e524c471d95d3d1a4d59c1e8724432f2052593cb3f30c44229b4c04223a8796/there-used-to-be-a-notice-up-in-the-streets-of-florence.jpg" /> <img width="1795" height="1141" width_o="1795" height_o="1141" data-src="https://freight.cargo.site/t/original/i/a4442bdf2ce84a35d00e5a0b9becb6033035c53046580d73f3c21a3eff653328/he-who-walks-between-two-others-snatches-their-luck.jpg" data-mid="169597435" border="0" src="https://freight.cargo.site/w/1000/i/a4442bdf2ce84a35d00e5a0b9becb6033035c53046580d73f3c21a3eff653328/he-who-walks-between-two-others-snatches-their-luck.jpg" /> <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/bb8cacdaa2dbc5e629e188dff500f299d841604252b507782acd54c91b7ff009/there-are-4-bases-of-comparison-for-a-bathroom.jpg" data-mid="169597465" border="0" src="https://freight.cargo.site/w/1000/i/bb8cacdaa2dbc5e629e188dff500f299d841604252b507782acd54c91b7ff009/there-are-4-bases-of-comparison-for-a-bathroom.jpg" /> <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/ea810c87c7b753968c9d28542b161b75154c41410e898c445851454c1dd54656/returning-to-this-place-with-overdue-disdain.jpg" data-mid="169597458" border="0" src="https://freight.cargo.site/w/1000/i/ea810c87c7b753968c9d28542b161b75154c41410e898c445851454c1dd54656/returning-to-this-place-with-overdue-disdain.jpg" /> <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/1baab5a0ae79cce1a2a4092eff33c7fea856ebfa3e546b9d2b8a5f93b01a7b2e/let-love-be-your-degrader.jpg" data-mid="169597451" border="0" src="https://freight.cargo.site/w/1000/i/1baab5a0ae79cce1a2a4092eff33c7fea856ebfa3e546b9d2b8a5f93b01a7b2e/let-love-be-your-degrader.jpg" /> <img width="2706" height="1906" width_o="2706" height_o="1906" data-src="https://freight.cargo.site/t/original/i/8e51af37256c79c6989bb6856fd355778e7e079ce768c4e8bf16b7a2e4e2e6e8/last-night-i-was-thinking-of-a-belt.jpg" data-mid="169597450" border="0" src="https://freight.cargo.site/w/1000/i/8e51af37256c79c6989bb6856fd355778e7e079ce768c4e8bf16b7a2e4e2e6e8/last-night-i-was-thinking-of-a-belt.jpg" /> <img width="3229" height="2479" width_o="3229" height_o="2479" data-src="https://freight.cargo.site/t/original/i/5ecb030305f39481c383e0ab8c25488608d77b317c355d8f8655e9fabe9ff027/just-as-noses-and-ears-continue.jpg" data-mid="169597449" border="0" src="https://freight.cargo.site/w/1000/i/5ecb030305f39481c383e0ab8c25488608d77b317c355d8f8655e9fabe9ff027/just-as-noses-and-ears-continue.jpg" /> <img width="2041" height="1242" width_o="2041" height_o="1242" data-src="https://freight.cargo.site/t/original/i/9e7a74c45cc78fe5ccbb03a263b8f78a805e344546dfc99d7dc154cbd394d508/it-is-enjoyable-to-enjoy-things.jpg" data-mid="169597448" 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